Last Epoch

Product Code: LMLP218

EAN: 5063176027818
Catalogue Code: LMLP218
Title: Last Epoch
Contributors: Erik Desiderio
Genre: Soundtracks, Computer Game Soundtrack
Produced by Label/Studio: Laced Records
Published by: Republic of Music, 20 Sep 2024
Format: Vinyl / 12" Album (Gatefold Cover),
Media: 2 disc(s)

Available for Pre-Order

Expected Release Date: 20 September 2024

£52.00 £46.00

Tracks
Information

Disc 1
1. Last Epoch Theme - Various Performers
2. Burning Forest - Various Performers
3. In Preparation - Various Performers
4. Keepers Camp - Various Performers
5. Escape from the Fortress Vaults - Various Performers
6. What She Left to Remember - Various Performers
7. Fires Before Dawn - Various Performers
8. Bastion of the Sun - Various Performers
9. War Machines of Solarum - Various Performers
10. Eterra - Various Performers
11. Highlands - Various Performers
12. Ascending the Summit - Various Performers
13. Inferno and Fury - Various Performers
Disc 2
1. The End of Time - Various Performers
2. Crystal Mines Crystal Lotus - Various Performers
3. Shattered Remains - Various Performers
4. The Temple of Eterra - Various Performers
5. Twisted Fire - Various Performers
6. The Precipice - Various Performers
7. Above the Black - Various Performers
8. The Council Chambers - Various Performers
9. The Sheltered Wood - Various Performers
10. The Forsaken Trail - Various Performers
11. The Ritual Site - Various Performers
12. Ruins of Welryn - Various Performers
13. Shadows Whisper - Various Performers
14. Guardian of Ruins - Various Performers
15. The End of Ruin - Various Performers

Cover Notes: Desiderio had to cast his mind through time to soundtrack each of the game's four different epochs of Eterra, with the music of this release focusing mainly on the brighter Divine Era and the darker, apocalyptic Ruined Era. Most eras of the game have a natural, acoustic sound to them with more traditional instrumentation, while the Ruined Era focuses on warped synthetic and acoustic sounds. Over the course of the game's early access period, the composer was able to gather fan feedback, which in turn helped shape the final score.

Tracks